{"id":323,"date":"2009-11-20T09:51:57","date_gmt":"2009-11-20T08:51:57","guid":{"rendered":"http:\/\/www.ilovebildwechsel.org\/?p=323"},"modified":"2019-01-16T16:50:45","modified_gmt":"2019-01-16T15:50:45","slug":"bildwechsel-shout","status":"publish","type":"post","link":"https:\/\/www.ilovebildwechsel.org\/?p=323","title":{"rendered":"bildwechsel @ sh[out]"},"content":{"rendered":"<h2>Artists Films from the Bildwechsel archives <\/h2>\n<p>at sh[out]: LGBTI  Contemporary Art and Human Rights<br \/>\nGallery Two, <a href=\"http:\/\/www.glasgowmuseums.com\/venue\/index.cfm?venueid=3\">GoMA<\/a><br \/>\n16th  November 2009 to 13th December 2009<br \/>\nFilms:<!--more--><\/p>\n<h3>The Ideal Studio: Sus Zwick, Muda Mathis and Fraenzi Madoerin<\/h3>\n<p>16\u2019, 2004  Video DV<br \/>\n<img decoding=\"async\" src=\"https:\/\/bildwechselglasgow.files.wordpress.com\/2009\/11\/ideal-studio-1.jpg?w=150&#038;h=121\" alt=\" \" \/><\/p>\n<p>The video deals with making art out of the immediate and close at  hand, as home sweet home can serve as fireworks for perception, as hideaway for  desire, love and sex and the backyard garden for everything utopian and ideal.  The authors themselves give a tour through the image events and ask themselves:  Where are we coming from? Where are we going? And. What are we doing  here?<\/p>\n<p>\nArtistic Statement: We work in the media of video, installation (video,  sound, light, photography), performance and music. The various fields of these  different media and themes influence and interact with each other. We work as a  pair, alone, in changing formations and with <a title=\"Les Reines Prochaines\" href=\"http:\/\/www.reinesprochaines.ch\/\" target=\"_blank\">Les Reines Prochaines<\/a>. We are  inspired by the physical and philosophical, the everyday, the mythological, the  absurd, as well as cultural history.<br \/>\nWebsites: Muda Mathis and Sus Zwick <a title=\"Muda Mathis and Sus Zwick\" href=\"http:\/\/www.mathiszwick.ch\/\">mathiszwick.ch<\/a>; Les Reines Prochaines <a title=\"Les Reines Prochaines\" href=\"http:\/\/www.reinesprochaines.ch\/\">reinesprochaines.ch<\/a><\/p>\n<h4>The Thing: Anca Daucikova<\/h4>\n<p>Slovakia, 2\u201911\u201d, 2002<\/p>\n<h4>A King Is Born: Margaret Reeves<\/h4>\n<p>UK, 3mins, 1999<br \/>\nIntroducing Travis T. An honest and revealing look at the creation of a Drag &#8216;King&#8217;. Filmed in one room and on a minimal budget, we are shown a candid portrait of one woman&#8217;s journey towards manhood.&#8221; 45th Cork Film Festival programme<\/p>\n<h4>My Heart The Rock Star: Nikki Forrest<\/h4>\n<p>1?40?, DV, 2000, Canada<br \/>\n<img decoding=\"async\" src=\"https:\/\/bildwechselglasgow.files.wordpress.com\/2009\/11\/rockstar06.jpg?w=150&#038;h=102\" alt=\" \" \/><br \/>\nOriginal music, voice-over and soundtrack:  Nikki Forrest  Original format: Mini DV \/ NTSC<br \/>\nMy Heart The Rock Star is a  short experimental video about teenage identification with rock icon (Patti  Smith.) Identification in this case is seen as a form of resistance to social  constraints and the space of radical openness represented by the female Rock  Star offers multiple lines of flight for the imagination of the young fan.   Produced as part of the &#8220;My Heart\u2026&#8221; collaborative series by Nikki Forrest,  Nelson Henricks and Annie Martin. The artists wish to thank &#8220;The Canada Council  for The Arts&#8221; and &#8220;The Conseil des art et des lettres du Quebec&#8221; for their  support.<\/p>\n<h4>STATIC: Nikki Forrest<\/h4>\n<p>7 minutes, black and white \/ stereo sound \/ 1995<br \/>\n<img decoding=\"async\" src=\"http:\/\/bildwechselglasgow.files.wordpress.com\/2009\/11\/static5.jpg?w=150&#038;h=102\" alt=\" \" \/><br \/>\nA series of dreamlike images evoke the shifting, permeable line between public and  private space. Queer identity continuously disintegrates and reconfigures  against the background noise of homophobia. The images move from the inner space  of dreams through intimate domestic scenes, out onto the public spaces of subway  stations and street corners and finally to the city skyline seen from across a  body of water.<\/p>\n<h4>Darling Nikki: Barbara Naegelin (with thanks to  Prince)<\/h4>\n<p>single-channel-video, 1&#8242;46&#8221;, 2001, Switzerland<br \/>\n<img decoding=\"async\" src=\"http:\/\/bildwechselglasgow.files.wordpress.com\/2009\/11\/nikki.jpg?w=150&#038;h=120\" alt=\" \" \/><br \/>\nA music-clip  and a grubby homevideo. There is a minimal setting: a chair in a corner of an  appartment, an androgynous outfit and a cd-player. An uncombed protagonist  figures a sexy popstar and sings along the song of Prince. In a slightly acclerated mode the person lets herself go into a self-ironic teenage-phantasy. (probably an anticipation of a youtube-fantasy)<\/p>\n<h4>19x Barefoot: Christoph Oertli<\/h4>\n<p>7:30 min, 2002, single channel  video, SD Pal<br \/>\n<img decoding=\"async\"  style=\"float: none;\" src=\"http:\/\/www.christophoertli.ch\/april09\/wp-content\/uploads\/Barfuss.jpg\" alt=\" \" \/><br \/>\nIn this piece the performer is linked with a mobile camera via  a nylon thread. Each of his gestures pulls the camera sideways and animates his  image. A strange dance develops which throws the performer off-centre or even  out of sight. His appearance on stage is undermined by his own effort. Each  impulse to act threatens his position in the spotlight. Performer: Christoph  Oertli<br \/>\nWebsite: <a title=\"Christoph Oertli\" href=\"http:\/\/www.christophoertli.ch\/\">christophoertli.ch<\/a><\/p>\n<h4>At The River: Joanna Nawracaj and Eva Keitzmann<\/h4>\n<p>3 mins, Warsaw,  2008<br \/>\n<img decoding=\"async\" src=\"http:\/\/www.evakietzmann.net\/PIX_film\/attheriver_pix12.jpg\" alt=\" \" \/><br \/>\nWebsite: Eva Keitzmann <a href=\"http:\/\/www.evakietzmann.net\/\">evakietzmann.net<\/a><\/p>\n<p style=\"margin-bottom: 170px;\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artists Films from the Bildwechsel archives at sh[out]: LGBTI Contemporary Art and Human Rights Gallery Two, GoMA 16th November 2009 to 13th December 2009 Films:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-323","post","type-post","status-publish","format-standard","hentry","category-event"],"_links":{"self":[{"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/posts\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=323"}],"version-history":[{"count":24,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/posts\/323\/revisions"}],"predecessor-version":[{"id":1824,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=\/wp\/v2\/posts\/323\/revisions\/1824"}],"wp:attachment":[{"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ilovebildwechsel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}